Pete Christianson
Chelsea Cutler turns “You Can Have It” into the kind of track.
Amythyst Kiah turns Tender Organs into an immediate standout.
For a late-night drive, a desk lamp, or a long exhale.
Ari Dayan turns One Hundred into the kind of pop track.
Chloe Parché turns "Moneymaker" into the kind of song.
Danielle Juhre turns “Burning” into a right-now essential: sleek.
Crookes sounds grounded and unbothered, which is exactly the point.
The production keeps the edges crisp, so every chorus.
![It's a good day (to fight the system) [feat. Joy Oladokun] - Shungudzo, Joy Oladokun](https://i.scdn.co/image/ab67616d0000b273c1499369c83b0109a61f126d)
The hook feels immediate, like a song.
My favorite Folk songs from the past year.
Paid-only
Nothing sparkles; the edges stay rough, the phrasing stays human.
Guitar lines glow instead of roar.
Rakish turns “Before Our Quiet Love” into the kind of track.
By the last chorus, the track fits the hour.
