TORA DAA and Joey Landreth make "One More Drink (feat. Joey Landreth)" feel like the one you keep cueing up after midnight. The groove lands fast, and the song sounds like a fresh discovery with serious staying power.
Pete Christianson
Earl St. Clair sounds built for the exact moment a good song turns into the whole plan, and "Sober" lands like a surprise keeper with no time to waste. The hook feels immediate, confident, and a little bruised in the best way.
Samantha Fish turns “Let’s Have Some Fun” into a no-nonsense wake-up call for anyone craving volume, grit, and a little swagger. The track feels newly essential because it cuts straight through the static and gets to the good stuff fast.
Josh Teskey and Ash Grunwald hit the sweet spot with “Something With Feel”: rough-edged, warm, and impossible to fake. In a feed full of gloss, this one sounds alive, which is exactly why it lands now.
Million Miles lands "Ice Cream & Cigarettes" like a freshly unearthed favorite you should already know. The title alone feels half-sweet, half-sour, and the track fits a day when the inbox is loud and your patience is low.
Charley Crockett and “Ain’t Gotta Worry Child” land like a fresh radio find with dust on the boots and heat in the wires. The cut feels essential because it sounds too lived-in to ignore and too immediate to wait on.
Black Pool turns “One More Wish” into the kind of instant favorite that sneaks into your day and stays there. With spring creeping in and playlists getting less patient, this one lands like a fresh headline.
Cedric Burnside, J.R. & the Allnighters turn The Other Side into the kind of blues cut that feels freshly unearthed and already indispensable. The groove lands hard, the swagger is intact, and the song sounds built for anyone who needs a pulse-check before noon.
Big Head Todd and The Monsters with “All True Man” lands like a fresh favorite—warm, swaggering, and exactly the kind of blues-rock hit that cuts through the noise. Ronnie Baker Brooks gives it extra muscle, so the track feels bigger than a standard playlist pick.
Philip Sayce lands “Give Me Time” like a fresh cut from the blues-rock front line. The riff hits fast, the attitude is bigger, and the song feels essential for anyone craving something loud, sharp, and alive.
Josh Teskey and Ash Grunwald land Thinking 'Bout Myself with the sort of grit that stops a scroll cold. Blues fans know the names; everyone else hears the first line and realizes the duo already sounds like a late-night staple.
The Allergies’ Get Yourself Some lands like the kind of funk 45 that somehow sounds like a secret everyone already knows. The hook bites fast, and right now that feels less like nostalgia and more like survival.
Bones Owens and “Lightning Strike” land like a fresh bruise and a cleared-off bar top. The track sounds like the kind of record that cuts through the noise right now: loud, lean, and impossible to ignore.
My favorite Trip-Hop songs from the past year.
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Duponte et Duponte drop “Lower East Side” like a secret single you somehow missed until now. The hook lands fast, the title feels lived-in, and the whole track sounds ready to own your headphones.
Dan Evans-Parker and Lost in Orbit land like a fresh late-night signal: sleek, slightly mysterious, and impossible to ignore. In a week full of noise, this one cuts through with its own cool logic.
The City of Birches hits with “Silent Dreams” like a late-night transmission you catch by accident and then keep on purpose. The track feels immediate, moody, and strangely confident, the kind of cut that earns a spot in your head before the chorus fully lands.
Eddie Harper lands “Windless Days” like a fresh find worth bragging about, the kind of track that makes the rest of the queue feel slow on arrival. Straight Forward has a clean confidence, and this cut feels especially right for anyone craving something cool, unforced, and a little sly.
Alexander Martin Jazz Trio makes Never Let Me Go feel like the kind of jazz standard you stumble into and immediately keep on repeat. The tune lands with enough polish and swing to sound brand-new, which is exactly why it fits right now.
Jacob Gurevitsch turns “Gamla Stan” into the kind of guitar track that steals the feed and keeps the mood. A clean instrumental like this feels newly essential because it arrives with instant polish and zero filler.
Duponte et Duponte’s Chimes lands like a late-night fix you did not know you needed. The tune feels immediate, cool, and a little sly, which makes it essential for a day that needs its edges softened.
Holborns turns “Walking on Clouds” into the kind of discovery that makes your queue feel smarter immediately. The hook lands like a late-night win, all gloss and lift with no wasted motion.
Ennio Máno drops “Ages Ago” like a secret that somehow already sounds familiar. The track feels essential because it cuts through the noise with a clean, sly confidence and lands like it belongs on every playlist that still cares about taste.
Laura & Anton turn Castles in the Air into the kind of track that sneaks into your day and makes everything feel a little sharper. Fresh ears hit play and suddenly the room has a pulse.
