Daily Post
Oma Nata sounds like the record your feed somehow missed.
Julie Rhodes turns “I’d Rather Go Blind” into the kind of smoky.
The Teskey Brothers make Pain and Misery feel like the kind of song.
Camel Power Club turns Ourson into the kind of instant earworm.
Guitars sit warm and dry and the vocal stays close to the mic.
Benjamin Booker’s “Witness” lands like a brand-new arrival.
Guitars bite cleanly up front, the drums snap.
Eilen Jewell lands “Another Night to Cry” like a fresh bruise.
Paul Janeway sings like he is half sermon, half street-corner dare.
JD McPherson turns "BLOODHOUND ROCK" into the kind of cut.
Guitar and drums land with dusty room tone.
Vocals stay warm and immediate, riding above the band.
The vocal sits right up front, sweet and a little worn-in.
Anderson East sounds like he walked in late.
The track feels immediate, lean, and way bigger than its runtime.
The mix leaves just enough room for each crack and scrape.
The chorus hits like a door flung open.
Ray Bonneville turns “Good Times” into the kind of discovery.
