Litany sounds like she just crashed the party in the best way.
Songstress
London Grammar return with How Does It Feel, and the timing feels sharp.
Anabel Englund turns "Float" into the kind of late-night house cut.
Griff makes the moment feel lighter without sanding off its edges.
LAUREL turns “Scream Drive Faster” into the kind of release.
Vocals sit right on top, glossy but not overworked.
The production glows with clean-edged synths and a tight kick.
Emma Bale turns “amsterdam” into an immediate reset button.
My favorite Songstress songs from the past year.
Paid-only
Sasha Alex Sloan turns "smiling when i die" into the kind of song.
Glossy guitars, a steady low-end pulse, and a vocal.
Treasureseason turns “Anything for Me” into a small.
Jill Andrews makes “Sorry Now” feel like the kind of song.
Guitars blur and bite at the edges, giving the mix a ragged polish.
