London Grammar return with How Does It Feel, and the timing feels sharp.
Pete Christianson
Anabel Englund turns "Float" into the kind of late-night house cut.
Griff makes the moment feel lighter without sanding off its edges.
LAUREL turns “Scream Drive Faster” into the kind of release.
Vocals sit right on top, glossy but not overworked.
The production glows with clean-edged synths and a tight kick.
Emma Bale turns “amsterdam” into an immediate reset button.
Late drives, gray mornings, and the first five minutes.
The Lone Bellow’s “Dried Up River” lands like a fresh bruise: stark.
Waxahatchee turns “Fruits of My Labor” into the kind of song.
The mood is plainspoken and bruised in the best way, the kind.
The title alone promises grit, and he delivers it.
Dusty acoustic strums, a low-burning groove.
Allison Russell turns “Nightflyer” into the kind of instant obsession.
Ellie Holcomb and Bear Rinehart arrive with "Sweet Ever After".
Jack Ingram, Miranda Lambert, and Jon Randall land a song.
Guitars ring with clean edges and the rhythm keeps a steady pulse.
