Dustin O'Halloran turns “Opus 38” into a quiet main event. The piano line arrives with no fuss, then keeps tightening its grip until the room feels smaller and somehow better for it.
Every note lands clean, close-miked, and lightly touched, with pedal haze blurring the edges just enough. A few restrained strings slip in like cold air under a door, giving the piece its lift without ever breaking the spell.
For a late train ride, a gray afternoon, or the last ten minutes before a deadline, it fits right in. Few tracks make stillness feel this alive.
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