HAIM returns with “All over me” sounding like the kind of song that arrives fully formed and immediately steals the day. On first play, it feels like a new obsession with no patience for slow-burn introductions.
Guitars shimmer with a dry, sunlit edge while the rhythm section keeps everything tight and springy. The vocal stack lands clean and close, with polished hooks, crisp drums, and just enough gloss to make the chorus pop through headphones or car speakers.
A track like this fits a late commute, an open window, and a mind that wants motion without drama. HAIM keeps it direct, stylish, and very now, which is exactly why it belongs in the queue today.
