Isobel Campbell and Mark Lanegan make “Come Undone” feel freshly unearthed, all smoke, ache, and bad decisions with excellent timing. The song lands like a secret that somehow already has a fan club.
Low guitar glow, brushed percussion, and Lanegan’s gravel meet Campbell’s cool hush in a slow burn that never rushes. The mix leaves plenty of air, so every bass throb and sigh hangs in the room a beat longer than it should.
On a gray commute, after midnight, or with the blinds half shut, it fits the hour without asking permission. Few duets sound so composed while looking this close to collapse.
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