Marsh arrives with "Little Darling," and the timing feels perfect. The track sounds freshly minted, like the first song you cue when you want your day to feel more expensive than it is.
Glassy synths skim over a taut beat, while the bassline stays low and warm, never crowding the mix. Every detail is clean but human: a soft pulse, a bright hook, and enough air between the parts to let the groove breathe.
On a late commute, after-work walk, or desk-bound afternoon, the song slips in and sharpens the room without raising its voice. That kind of easy lift earns repeat plays fast.
