Will Omit arrives with Somebody, and the title alone feels like a neon sign outside a late-night bar. The track sounds freshly dropped and immediately essential, the kind of cut that sneaks into your head before the chorus even settles.
The production keeps things lean and glossy: crisp percussion, a low-end pulse that never sulks, and a vocal that sits close enough to catch every breath. Small synth flares and clean edges give the song a cool, open-air shimmer.
Somebody fits the hour when the office lights finally give up and the windows turn black. It plays well on a walk home, in the car with the volume nudged a little higher, or anywhere the city starts to feel like yours.
