THE CINEMA by Erin LeCount capitalizes its title, suggesting grandeur or emphasis through its presentation. The framing invokes a space, a public arena where watching and being watched intersect.
Erin LeCount
DON’T YOU SEE ME TRYING? by Erin LeCount poses a question in all capitals, its urgency immediate and unavoidable. The phrasing suggests frustration at invisibility, effort unrecognized or undervalued.
Erin LeCount turns 808 HYMN into the kind of find that feels instantly essential: sharp, modern, and already sounding bigger than the moment around it. Fresh ears land on it and stay there.
